The Falsehood of Multiple Modernities

"On White" by Wassily Kandinsky

Critiquing the concept of alternate modernities and its consequences toward understanding universalist theories, Žižek explains:

The significance of this critique reaches far beyond the case of modernity–it concerns the fundamental limitation of nominalist historicizing.  The recourse to multiplication (“there is not one modernity with a fixed essence, there are multiple modernities, each of them irreducible to others…”) is false not because it does not recognize a unique fixed “essence” of modernity, but because multiplication functions as the disavowal of the antagonism that inheres to the notion of modernity as such: the falsity of multiplication resides in the fact that it frees the universal notion of modernity of its antagonism, of the way it is embedded in the capitalist system, by relegating this aspect to just one of the historical subspecieis…

Jameson’s critique of the notion of alternate modernities thus provides a model of the properly dialectic relationship between the Universal and the Particular: the difference is not on the side of particular content (as the traditional differentia specifica), but on the side of the Universal.  The Universal is not the encompassing container of the particular content, the peaceful medium-background of the conflict of particularities…In other words, the Universal names the site of a Problem-Deadlock, of a burning Question, and the Particulars are the attempted but failed Answers to this Problem (34-35).

Reference

Žižek, Slavoj.  2009.  The Parallax View.  Cambridge, Massachusetts: MIT Press.

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